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[B]ear these points in mind, the association of Death and Chance, the notion of both as chaotic in their action, and their embodiment in a great artistic ideal—the Dance of Death—which gave so much colouring to mediaeval thought and life. We find this sombre notion everywhere—on the church walls, on the bridges, in the engravings and s, but as well in the sermons, the poetry, and the very turn of folk-sentiment.
— KARL PEARSON